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Settling Whispers | What I Carried

  • Mar 25
  • 3 min read

I'm sitting on the floor in the afternoon with a box of old things in front of me. Photos, mostly. Letters. A few small objects I forgot I kept, a ticket stub, a pressed flower, a keychain from a place I can barely remember visiting.


I wasn't planning to do this. I was looking for something else and found this box instead, tucked in the back of the closet where I must have put it years ago and then forgot about.


Or maybe I didn't forget.


Maybe I just wasn't ready to look.


I pick up a photo. It's me, but younger. So much younger. I'm smiling, but I can see it now, the tightness around my eyes, the way I'm holding my shoulders, the performance of happiness that I thought was the same as actually being happy.


I don't judge her.


I just see her.


She was doing her best. She didn't know yet. How could she? She thought if she just smiled hard enough, tried hard enough, loved hard enough, everything would be okay. She thought she could control things by being good, by being small, by never asking for too much.


But you can't control love by shrinking yourself.


You can't earn belonging by disappearing.


I set the photo down and pick up another. This one is different. I'm older here, but not by much. And I can see it, the beginning of something. Not clarity, exactly. But a question. A small crack in the performance. A moment where I'm starting to wonder if maybe, just maybe, I don't have to keep pretending.


I trace my finger along the edge of the photo. The paper is worn, the colors slightly faded. How long has this been in this box? How long have I been carrying these versions of myself around, tucked away where I didn't have to look at them?


And why am I looking now?


I think it's because I'm ready.


Not to erase them or rewrite them or pretend they didn't exist. But to see them clearly. To understand what they were carrying, what they were trying to protect, what they were too afraid to let go of.


And to thank them.


Because they got me here.


Every version of me who smiled when she wanted to cry. Every version who stayed when she should have left. Every version who gave more than she had because she thought that's what love required.


They were wrong about a lot of things.


But they were also brave.


And they were also me.


I pick up the pressed flower. It's brittle now, fragile, the color almost gone. I don't remember where it came from or why I kept it. But I hold it carefully, like it matters, because maybe it does.


Maybe everything we carry matters, even when we don't remember why.

I put the flower back in the box. The photos. The letters. All these small pieces of a life I used to live. And I realize: I'm not the same person anymore.

But I'm also not separate from her.


She's still here, in me, in the choices I make, in the way I move through the world. She's the foundation I built on, even when the foundation was shaky. She's the reason I know what I don't want, what I won't accept, what I deserve.

She taught me that.


Even when she didn't mean to.


I close the box and sit with it for a moment, my hands resting on the lid. And I think: Maybe healing isn't about leaving the past behind.


Maybe it's about carrying it differently.


Not as a weight. Not as a wound. But as a story. A map. A reminder of how far I've come.


I'm grateful for the path, even the hard parts.


Especially the hard parts.


Because they made me who I am.


And who I am is someone who can sit on the floor with a box of old things and not fall apart. Someone who can look at her younger self with compassion instead of judgment. Someone who knows that the past doesn't define her, but it did shape her.


And that's okay.


That's more than okay.


I put the box back in the closet. Not to forget it. Just to let it rest.

And I stand up, brush off my hands, and walk back into the afternoon light.


Carrying everything I've learned.


Carrying everything I've been.


Carrying it all a little lighter now.



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About Me

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I'm a woman who feels everything deeply, and I write to externalize the vast emotions that live in my body so they don't stir endlessly within me. I write to the moon, to God, to the part of myself that refuses to become smaller. I also find magic in ordinary moments, the warmth of coffee in my hands, light through a window, the way my body knows how to soften. If you've ever felt too much or wanted too deeply, you're not alone in it.

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